This is an interesting short novel, whose strengths include worldbuilding, an all-encompassing sense of mystery and intrigue, plenty of misdirection and a hell of a clincher.
But first, lend me your ear. It’s okay, come ‘ere, come a wee bit closer. I’ve a secret to tell you — the only reason I wanted to read this book was the design. Shhh! Don’t tell anyone. It’s really good design, though – and it extends past the gorgeous cover. The two PoV characters each receive page-wide character pieces, at once minimalistic and very stylized. Wonderful work, truly.
The World Maker Parable is a game of misdirection. How things are is never certain, always in flux, ever in doubt. The characters of Rhona and Varésh are as unreliable a pair of narrators as you’re likely to find on short notice, and both of them are
haunted hounded by past mistakes. There’s enough there to make you connect with them early on, both Rhona and Varésh have something to
The language is a draw…most of the time. This is highly stylized prose, both in speech and in description, and it is well-written. Often, it strikes deep. Sometimes, however, it feels a tad clichéd, a little too familiar. And once or twice, you can even hold the author suspect of trying too hard:
With utopia comes darkness. Every candle lit is another shadow cast. Perfection is a lie. Law requires chaos. It is a vicious circle; one I fear we have realized far too late.
“A little too thick on the universal truths there,” I thought as I read this particular paragraph. Despite that, I enjoyed this one. It was a quick, pleasant read that took me a little over an hour, and it was an hour filled with plenty of surprises, each of them more delightfully dark than the previous ones.
The World Maker Parable is a story of guilt and lost love, and the depths of depravity duty might lead you to. I think, if it were another thirty pages shorter, it would’ve been even stronger. It’s not that it isn’t – but the punch it packs by the closing pair of chapters could’ve been even stronger.
Some of the novel, I disliked. The accents to names and words — especially those I saw as unnecessary or as making little sense — really bothered me. That’s very When it comes down to it, I often find myself disliking the use of fictional words, and those found in the Parable weren’t used in a way that made me overcome this dislike. I also caught a number of typos, annoying little mistakes that they are, early on in the novel.
My score for The World Maker Parable is a 4 out 5 stars on Goodreads and Amazon.
This review was part of the World Maker Parable blog tour! Thanks to Timy and Justine for organising this, and for offering me a copy of the book for the review.